![]() ![]() ![]() Next part: Can CinemaDNG solve lens geometry problems better, how and in which cases? A clip 38 seconds in size is converted in less than 12 seconds on a MacBook 14 Pro M1 Pro, with both read and write going to the same Thunderbolt 4 external SSD (Samsung 980 Pro 2TB). When using Apple Compressor, it is now fairly easy to batch convert large amounts of Panasonic 12-bit 5.9k ProRES RAW footage into 12-bit ProRES 4444 XQ format. Old lenses designed before digital lens corrections became part of the lens design, are far better choices in this case, but not entirely without "correction need" in some cases. Without that a 20mm wide angle track looks - ahem - "somewhat challenged". There is one real and unsolved problem area, and that's lens geometry, vignetting and Chromatic Aberrations.įor lenses like the Panasonic S 20-60mm, that leads to huge distortions at 20mm, since lens design involves mandatory digital corrections. It's time, that the computer earns it's keep in earnest May as well get them done also for batch Compressor runs (or file drops into a created droplet), while I'm sleeping. Now back to testing the some of the other Video filters (color corrections for highlights, Midtones and Shadows as well as noise reduction. Slightly to the dark side, but not far off after white balance. Compressor Brightness adjustment Skærmbillede kl.
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